What was punk rebelling against

Ask students to investigate the similarities and differences between the early Punk Rock movements in the United States and Britain. To what extent do the ideas of Smith and the Ramones echo the themes about early Punk Rock in Britain discussed in this lesson?

In what ways did American Punk reflect similar reactions to popular styles of music in the s? To what extent should early Punk be thought of as a cohesive movement, and to what extent did it reflect differences in both the social and artistic contexts of Britain and the United States?

Have students present their songs to the class. Discuss as a class: Do students consider these good songs? What makes a song good? Why or why not? Pose the following question to students and briefly discuss: Is Rock and Roll something you listen to, or something you actively participate in? Distribute Handout 1: Comparing Musical Performances. After students have completed the handout, briefly poll students on their answers and discuss with the class as a whole: Why would a Rock and Roll band want to perform a version of a Classical composition?

What does this suggest about how they seem themselves as artists? Do the artists in the Sex Pistols and Clash videos seem to view themselves the same way? If you had to describe each performance in a single word, what would it be? What remained was a punk skeleton, devoid of any adornments or additions that might elicit charges of artistry.

Proud amateurs, hardcore musicians left nothing to unlearn, nothing to excise. Anticipating those that would—and have—found hardcore to be repetitious to the point of redundancy, Nicholas Rombes p. What emerged was a revised doctrine of punk, one filtered through rose-colored memories about what punk had once been and perceptions about what it had become.

Fomenting the first faction were Crass, a band that refused to allow the primitive punk sound to die and, more importantly, refused to allow the politics of anarchy to be trivialized as just a buzzword used in a Sex Pistols song. Whereas US bands like the Dead Kennedys and Black Flag showed reverence to their predecessors in carrying forth the baton of punk, Crass and others looked cynically at those forerunners as traitors to the cause, as self-indulgent post-punkers or sell-outs to industry new wave.

Few escaped their Stalinist-like purge. Disillusioned by what punk had become, Crass sought to reinvigorate the genre by destroying what it had become. Political idealism has always been a central component of punk, but while many have talked the talk, few have attempted to walk the walk like Crass. Crass collectivism and idealism never translated into religious practice as it had within US hardcore, though. Unlike in the US, where its more a-political punks were always vulnerable to the escapist lures of religion, British anarcho-punk, with its rationalist perspectives on all aspects of socio-political life, ran counter to such a trajectory.

Political priorities also distanced anarcho-punk from American hardcore. While punk was scandalising the UK in the s, a small punk scene was forming in South Africa, featuring anti-establishment bands such as Wild Youth and National Wake , whose members were put under police surveillance for their anti-apartheid stance.

Morgan says Afropunk has been supporting TCIYF for a couple of years and the band fit well into how the movement has come to define punk. The drinks manufacturer Red Bull has also been backing TCIYF in the run-up to the Johannesburg event, and as the band set up for another pop-up show at a notoriously dodgy taxi rank downtown, a photographer snaps away.

But the band seem unbothered by the apparent incongruity of having a corporate sponsor for their trademark anti-consumerism.

They play a short, loud set to a semi-circle of befuddled onlookers amid the fruit sellers and minibus taxis ferrying people around the city. An elderly woman passing by gives the band a sharp elbow and a disapproving look. The Ramones created the musical ideas of 'punk'. In Britain, the Sex Pistols were the first and most influential punk band. Their immediate impact in directly inspired almost every punk band that started. The Sex Pistols formed the blueprint for British punk, using simple, raw, stripped-down guitar riffs.

Their 'in your face', playful destructive exaggerated behaviour resulted in the band being physically attacked in the streets and the media portraying them as 'demons'. The Sex Pistols weren't the only key punk band in Britain.

Incorporating early rock and reggae, the Clash became the most politically idealistic and musically eclectic group in punk. The article was produced by the member of masterpapers. Sharon White is a senior writer and writers consultant at term papers. Get some useful tips for thesis and buy term papers.